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One of the main tasks of any work of cinematography is to convey feelings and bring the audience closer to the idea of the film. The two main paintings closer to me are Metropolis, directed by Fritz Lang, and Battleship Potemkin by Sergei Eisenstein. Moreover, it is worth noting the excellent work of the cinematographic team to create a unique atmosphere in both films. Everything from camera angles to the various techniques used contributes to even greater viewer engagement and increased loyalty and transmission of the main idea.
The Metropolis raises quite topical issues that can be applied to modern society, so I can relate to them. The films plot seems to provoke and refute any manifestations of common sense. This work is also a pioneer in forming a whole movement of cinematic works that show the image of a futuristic city as the hell of the progress of science and technology. Moreover, what has received a more robust response in me is the revelation of human despair. Furthermore, the main character sympathizes with the audience, as he is absorbed by amazement at how much the technologization of the future can control the population.
Another work that left me not indifferent and awakened many feelings is Battleship Potemkin. It plays a unique role for me because it is based on real events, which is incredibly inspiring. There is also a criticism of the ruling regime at that time in this picture (Cardullo 77). People are on strike and speak out against the irrationality of the cult of leaders. This impulse is expressed in the desire to proclaim the value of humanism and humanity.
Therefore, this work is considered two works of cinematic art that are close to me. Hence, in both works, the directors, through the main characters, convey horror and disagreement with the foundations of the society in which they live. Moreover, these films perfectly convey the desire to fight for better overall well-being and raise the level of humanity. That is why I can strongly relate to these works, and they are incredibly close to me.
Works Cited
Cardullo, R. J. The Idea and the Image. On Sergei Eisensteins Battleship Potemkin. Journal of Hermeneutics, Art Theory & Criticism, vol. 24, 2020, pp. 77-210.
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